Issues : GE revisions
b. 481
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composition: Op. 21, Concerto in F minor, Mvt III
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In the last chord in the L.H., A does not have signs returning g and b. This patent inaccuracy, probably caused by crossings-out and changes (the crossed out chord sounded e-a-c1-g1), was corrected already in GE (→FE→EE). EE added also a cautionary before g3. category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: EE revisions , Omissions to cancel alteration , Errors resulting from corrections , GE revisions , Errors of A |
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b. 482
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composition: Op. 21, Concerto in F minor, Mvt III
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The cautionary before e3 written in A (→GE1) is probably a remaining element of the original notation, in which the previous chord included e3. In FE (→EE) and GE2 the unnecessary sign was removed. EE added cautionary naturals before g1 and g2. category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions , Cautionary accidentals |
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b. 486
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composition: Op. 21, Concerto in F minor, Mvt III
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A (→GE1→FE1) features a d2 as the last quaver. At the same time, one can see that initially the entire last triplet was written a second lower – c1-d1-d2. Chopin corrected the first two quavers and most probably overlooked the third one, being in haste. Such a scenario is confirmed by the proofreading of FE2 (→EE) – almost certainly authentic – in which the note was changed to e2. An identical correction was performed in GE2, too. category imprint: Interpretations within context; Differences between sources issues: Corrections in A , Errors resulting from corrections , GE revisions , Errors of A , Authentic corrections of FE |
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b. 489-490
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composition: Op. 21, Concerto in F minor, Mvt III
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In this place, Chopin wrote a combination of trill with tremolando (cf. 1st mov., bar 335) in a precise manner, with notes, determining even the number of touches (in each bar 3 groups of 4). However, he committed a mistake while marking their value as demisemiquavers instead of semiquavers, which may suggest twice the number of required notes. This is how this mistake was revised in GE (→FE→EE), increasing the number of touches to 8 in each of the groups. It resulted in an unreasonable notation, since it is impossible to perform a thick tremolando in the tempo marked by Chopin, or even close to the Chopinesque one. category imprint: Interpretations within context; Differences between sources issues: GE revisions , Rhythmic errors , Errors of A |
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b. 491
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composition: Op. 21, Concerto in F minor, Mvt III
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The missing b in the chord on the 2nd crotchet is almost certainly a mistake of the engraver of GE1 (→FE→EE). The note was added in GE2 on the basis of the clear notation of A. category imprint: Differences between sources issues: Errors in GE , GE revisions |