Issues : GE revisions
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b. 466
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composition: Op. 21, Concerto in F minor, Mvt III
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The natural before b2, the 4th quaver, is present only in EE and GE2; however, due to the use of an octave sign, we consider the sound of this note to be specified also in the remaining sources. Similarly in bar 468. category imprint: Differences between sources; Source & stylistic information issues: EE revisions , Accidentals in different octaves , GE revisions |
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b. 468
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composition: Op. 21, Concerto in F minor, Mvt III category imprint: Differences between sources; Source & stylistic information issues: EE revisions , GE revisions |
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b. 469-474
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composition: Op. 21, Concerto in F minor, Mvt III
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No dashes after cresc. must be an inaccuracy of GE1 (→FE→EE). Their omission in GE2 in bars 473-474 is most probably a mistake, too – the bars open a new line of text in GE2. category imprint: Differences between sources issues: Inaccuracies in GE , GE revisions |
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b. 469-472
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composition: Op. 21, Concerto in F minor, Mvt III
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Although Chopin returned to double slurs in the bass (cf. bars 430-433) in the next bars, in the main text we preserve single slurs in this place, since the difference seems to be intentional, however, it is not easy to indicate what performance detail could be related to this difference in notation. category imprint: Differences between sources issues: GE revisions |
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b. 470
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composition: Op. 21, Concerto in F minor, Mvt III
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A features a cautionary category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , GE revisions , Cautionary accidentals , Last key signature sign , Inaccuracies in A |
before e3 in the last triplet, yet the necessary 
lowering d3 to d
3 is missing. A flat was added already in