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Issues : EE revisions
b. 35
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composition: Op. 21, Concerto in F minor, Mvt III
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In FE all 5 notes in the part of the R.H. are combined with a quaver beam. The patent mistake was corrected in EE. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , Rhythmic errors |
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b. 43
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composition: Op. 21, Concerto in F minor, Mvt III
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A (→GE) has a cautionary category imprint: Editorial revisions issues: EE revisions , Cautionary accidentals , Authentic corrections of FE , Last key signature sign |
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b. 64-65
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composition: Op. 21, Concerto in F minor, Mvt III
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In A, there is no change of clef to treble in the part of the L.H. before the entrance of the solo piano in bar 65. This patent mistake was rectified in GE, yet the erroneous notation of A is to be found in FE, which suggests that the correction of GE1 was introduced in the last phase of proofreading. EE includes the correct text; the correct clef is written also in FEJ (the carelessly written sign does not allow to identify the person who wrote it; it was probably the owner of the copy, Ludwika Jędrzejewicz). category imprint: Interpretations within context; Differences between sources issues: EE revisions , GE revisions , Errors of A , Errors repeated in FE |
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b. 70
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composition: Op. 21, Concerto in F minor, Mvt III
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We consider the sign written in A to be a long accent, although preceding it with a short category imprint: Differences between sources issues: EE revisions , Inaccuracies in GE |
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b. 70
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composition: Op. 21, Concerto in F minor, Mvt III
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It is a very instructive example of how the accumulation of minor inaccuracies of subsequent editions transformed the acciaccatura in A into a regular crotchet in EE (the crotchet in FE is printed in a font of intermediary size, used in the orchestral part). All changes concerning the a category imprint: Differences between sources issues: EE revisions , Inaccuracies in GE , Inaccuracies in FE , GE revisions |