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Issues : Authentic corrections of FE
b. 98
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composition: Op. 21, Concerto in F minor, Mvt III
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The slurs of GE1, contrary to A and to a natural division into motifs, emphasised with a transfer of the hand, were partially corrected in FE (→EE). According to us, it is uncertain whether it was a result of Chopin's intervention or inaccuracy of the engraver. category imprint: Differences between sources |
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b. 102-103
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composition: Op. 21, Concerto in F minor, Mvt III
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In GE, the 2nd and 3rd triplets in bar 102 and the 1st and 2nd triplets in bar 103 were provided with an octave sign, so they are written an octave too high. The mistake stemmed from a change performed in the notation of this fragment – Chopin wrote it using an octave sign, whereas in GE1, planning on omitting 8 - - -, the notes were printed at the actual pitch, yet the octave sign was left by mistake. The error was corrected, probably by Chopin, in FE (→EE1), but it was unnoticed by the reviser of GE2. The erroneous octave sign was introduced also in EE2; EE3 restored the correct text. category imprint: Differences between sources issues: Errors in GE , Authentic corrections of FE , Errors repeated in GE |
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b. 117-120
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composition: Op. 21, Concerto in F minor, Mvt III
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The slur of A cannot correspond to the intention of Chopin, who probably interrupted drawing the slur due to lack of space – due to deletions in the part of the R.H. its final version was written on an adjacent stave, as a result of which its topmost elements already reach the viola part. Moreover, it cannot be excluded that the composer considered the octave sign to be a continuation of the slur (cf. a similar situation in the Etude in E category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: Inaccurate slurs in A , Authentic corrections of FE , Authentic corrections of GE |
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b. 122
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composition: Op. 21, Concerto in F minor, Mvt III
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The cautionary flats before B category imprint: Differences between sources issues: Cautionary accidentals , Authentic corrections of FE |
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b. 124
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composition: Op. 21, Concerto in F minor, Mvt III
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In the main text, we give g
category imprint: Differences between sources issues: Authentic corrections of FE |