Pitch
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b. 481-483
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composition: Op. 21, Concerto in F minor, Mvt III
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The crossings-out visible in A allow us to read the original version, in which the L.H. had the same chords as the R.H., continuing the relationship marked by the 1st chord of the entire passage. Chopin wrote four subsequent chords (to the second one in bar 482) before he changed the concept or noticed his mistake. category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Accompaniment changes |
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b. 481
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composition: Op. 21, Concerto in F minor, Mvt III
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We preserve the cautionary category imprint: Editorial revisions; Corrections & alterations issues: Corrections in A , Cautionary accidentals |
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b. 481
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composition: Op. 21, Concerto in F minor, Mvt III
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In the last chord in the L.H., A does not have signs returning g and b category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: EE revisions , Omissions to cancel alteration , Errors resulting from corrections , GE revisions , Errors of A |
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b. 482
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composition: Op. 21, Concerto in F minor, Mvt III
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The cautionary category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions , Cautionary accidentals |
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b. 484
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composition: Op. 21, Concerto in F minor, Mvt III
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We add a flat before b category imprint: Editorial revisions |
before a2 in the 2nd chord of the bar, due to a
in the previous bar. However, Chopin most probably wrote it to cancel a
2, used in the original version of the notation of the 1st chord. In the main text we also add a cautionary 
before b