mUltimate Chopin

Op. 21, Concerto in F minor, Mvt III

Text Compare Notes Sources Description

Issues : EE revisions

b. 491

composition: Op. 21, Concerto in F minor, Mvt III

c1 in chord in A (→GE) & EE2 (→EE3)

No c1 in FE (→EE1)
..

The missing c1 bass note in the chord must be a mistake of FE (→EE1). The mistake was corrected in EE2 (→EE3), most probably on the basis of comparison with GE1.

category imprint: Differences between sources

issues: EE revisions , Errors in FE

b. 494-501

composition: Op. 21, Concerto in F minor, Mvt III

8 long accents in A

7 short & 1 long accents in GE1

7 short accents in FE

8 short accents in EE & GE2
..

Out of eight long accents written in A, GE1 reproduced in this form only the mark in bar 497, which is naturally an accidental inaccuracy. The mark in this bar is slightly longer also in FE (→EE); however, the difference is so small that it is difficult to consider it meaningful. In GE2 all accents were unified.
FE omitted the last mark, in bar 501, most probably due to an oversight. The accent was added in EE.

category imprint: Differences between sources

issues: Long accents , EE revisions , Errors in FE , Inaccuracies in GE , GE revisions

b. 502

composition: Op. 21, Concerto in F minor, Mvt III

..

In FE (→EE1→EE2) the bottom note of the chord is an erroneous e (corrected only in EE3). In A (→GE) the text is correct.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Errors in FE , Errors repeated in EE

b. 503-504

composition: Op. 21, Concerto in F minor, Mvt III

Continuous slur in A (→GE)

Separate slurs in FE (→EE)
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In GE1 (→FE), bar 503 is the last one in the line. However, contrary to GE1, the notation of the slur in FE is erroneous – the slur in bar 503 ends on the last quaver, although the beginning of the slur in bar 504 suggests continuation. EE interpreted it as an inaccuracy of the slur in bar 504 and separated the slur at the transition between these bars.

category imprint: Differences between sources

issues: EE revisions , Inaccuracies in FE

b. 503-505

composition: Op. 21, Concerto in F minor, Mvt III

No L.H. slurs in A (→GE→FE)

Slurs in EE
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Nothing indicates the authenticity of the slurs in the L.H. added in EE – they actually correspond to the slurs in the R.H. with their division at the transition between bars 503-504 resulting from accumulation of inaccuracies.

category imprint: Differences between sources

issues: EE revisions