Issues : EE revisions
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b. 445-446
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composition: Op. 21, Concerto in F minor, Mvt III
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It is difficult to assume that Chopin actually wanted to end the slur before the 2nd beat in bar 466. The slur is probably unfinished, perhaps to avoid the crossing with the octave sign. The slur of GE (→FE), led further, was most probably corrected, probably by the very Chopin, which confirms our assumptions that the slur of A is inaccurate. In EE, each of these bars is encompassed with a separate slur, which can be explained by an inaccurate interpretation of FE or a revision, e.g. by analogy to bars 425-426. category imprint: Differences between sources issues: EE revisions , Inaccurate slurs in A , Authentic corrections of GE , Corrected slurs of Op. 21 in GE1 |
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b. 450
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composition: Op. 21, Concerto in F minor, Mvt III category imprint: Differences between sources issues: EE revisions , Errors in GE , GE revisions |
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b. 452
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composition: Op. 21, Concerto in F minor, Mvt III
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We regard the absence of the accent as Chopin's oversight, since the mark is present in the three remaining analogous bars – bars 412, 420 and 460. EE added a category imprint: Differences between sources; Editorial revisions issues: EE revisions |
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b. 454-462
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composition: Op. 21, Concerto in F minor, Mvt III
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There is no category imprint: Interpretations within context; Differences between sources issues: EE revisions , Omissions to cancel alteration , Errors of A , Errors repeated in GE , Errors repeated in FE |
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b. 454-463
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composition: Op. 21, Concerto in F minor, Mvt III
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In the main text we add cautionary flats before b category imprint: Differences between sources; Editorial revisions issues: EE revisions , Cautionary accidentals |
in 
restoring g2 on the 3rd beat of bars 454 and 462 in 
2 at the beginning of bars 454, 455 and 462. The signs were added also in 
was added by Chopin already in