Pitch
b. 343
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composition: Op. 21, Concerto in F minor, Mvt III
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In the main text we include the raising e2 to e2, added by Chopin in the last phase of proofreading of FE2. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE |
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b. 344
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composition: Op. 21, Concerto in F minor, Mvt III
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In the main text we add a cautionary before b2. category imprint: Editorial revisions |
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b. 345
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composition: Op. 21, Concerto in F minor, Mvt III
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According to us, due to the absence of traces of corrections performed in print, a possible Chopinesque proofreading of FE (→EE) is less likely than a mistake of the engraver in this case. Therefore, in the main text we give the undoubtedly authentic version of A (→GE). However, from the musical point of view, the version with g1 is certainly not inferior to it. category imprint: Differences between sources issues: Terzverschreibung error , Authentic corrections of FE |
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b. 345-346
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composition: Op. 21, Concerto in F minor, Mvt III
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In the main text we add cautionary flats before d2 in bar 345 and e1(2) in bar 346. category imprint: Editorial revisions |
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b. 345
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composition: Op. 21, Concerto in F minor, Mvt III
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A has an f1 as the most bottom note of the chord on the 3rd beat of the bar. The mistake was almost certainly committed at the time of writing this fragment in bold type (see the characterization of A) and did not pass to the editions, which suggests that the text was set in bold type already after GE1 had been finished. category imprint: Differences between sources issues: Errors of A |