Issues : Inaccuracies in GE
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b. 433-438
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composition: Op. 21, Concerto in F minor, Mvt III
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The shape of the accents in A, which are not very big, is generally typical of long accents (except for the sign in bar 437). However, in this case, it is understandable that the editions reproduced them as short accents. category imprint: Differences between sources issues: Long accents , Inaccuracies in GE |
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b. 437-438
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composition: Op. 21, Concerto in F minor, Mvt III
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In these bars, the slurs of A are shorter than before, yet they still begin on the 2nd beat of the bar, which was not repeated in the editions. category imprint: Differences between sources issues: Inaccuracies in GE |
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b. 441
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composition: Op. 21, Concerto in F minor, Mvt III
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The wedge written in A was inaccurately reproduced in GE as a dot. The omission of the sign in FE (→EE) must be a mistake. category imprint: Differences between sources issues: Errors in FE , Inaccuracies in GE , Wedges |
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b. 449
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composition: Op. 21, Concerto in F minor, Mvt III
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The apparent wedge of A was inaccurately reproduced in GE1 as a dot. Moreover, it was placed so close to the octave sign that it was then overlooked both in FE (→EE) and GE2. category imprint: Differences between sources issues: Errors in FE , Inaccuracies in GE , Errors in GE |
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b. 450-451
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composition: Op. 21, Concerto in F minor, Mvt III
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Same as in the entire Concerto, the wedge of A at the beginning of bar 450 was reproduced in the editions as a dot. In turn, the absence of the staccato mark at the beginning of bar 451 must be considered an inaccuracy of A (→GE1→FE→EE). A sign – a dot – was added in GE2, most probably on the basis of comparison with analogous bars. Therefore, due to the same reason, we add a wedge in the main text. category imprint: Differences between sources; Editorial revisions issues: Inaccuracies in GE , GE revisions , Wedges |
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