Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
(Op. 4), Sonata in C minor
Op. 21, Concerto in F minor, Mvt III
The slur of A does not go beyond bar 416; however, its shape does not exclude an interpretation in which the last note of the phrase is also encompassed with it. We adopt this interpretation to the main text due to the significant statistical predominance of pianistically natural slurs reaching the notes on which the triplet movement stops for a moment – see bars 409-419.
Compare the passage in the sources »
category imprint: Graphic ambiguousness; Differences between sources
issues: Inaccurate slurs in A
notation: Slurs
