GE2
Main text
½A - Semi-autograph
A - Autograph of the piano part
Morch - Manuscript of the orchestra part
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
EE3 - Corrected impression of EE2
compare
  b. 57-58

Accents in A

No accents in GE1 (→FEEE)

Rests & accents in GE2

The accents, this time placed in A over the cminims, were most probably overlooked in GE1 (→FEEE) (however, it cannot be excluded that the engraver omitted them while he was uncertain what they meant – e.g. if he was expecting rests in this place, he could have considered them quaver rests, which did not fit in with the remaining elements of the notation). GE2 precisely repeated the notation of bars 53-54 (see also the note on articulation in bars 57-59).

Compare the passage in the sources »

category imprint: Differences between sources

issues: Errors in GE, GE revisions

notation: Articulation, Accents, Hairpins

Go to the music

.