Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 21, Concerto in F minor, Mvt III
According to us, the tie of b
3 is a result of a mistake of the engraver of FE (→EE). It would be difficult to assume that Chopin would have liked to deprive this figure of its initial fourth that is key for capturing the relationship to the antithetic figure, beginning with a fifth, in the preceding bar.
Compare the passage in the sources »
category imprint: Differences between sources
issues: Errors in FE, Authentic corrections of FE
notation: Rhythm
