EE1
Main text
½A - Semi-autograph
A - Autograph of the piano part
Morch - Manuscript of the orchestra part
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
EE3 - Corrected impression of EE2
compare
  b. 297

Shorter  in A & EE

No sign in GE1 (→FE)

Longer  in GE2

The absence of the  hairpin in GE1 (→FE) may be an oversight of the engraver or Chopin's proofreading – see bars 293-295. The sign in EE may be a part of a revision unifying the markings after analogous bars 293 and 295. The sign in GE2 was added taking into consideration A, yet the range of the  was repeated after GE1 in bar 293.

Compare the passage in the sources »

category imprint: Differences between sources

issues: EE revisions, Scope of dynamic hairpins, GE revisions, Authentic corrections of GE

notation: Articulation, Accents, Hairpins

Go to the music

.