Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 21, Concerto in F minor, Mvt III
According to us, the chromatic descending scale must be performed a tempo. It is possible that Chopin had to be satisfied with the marking leggieremente, which suggests a change of approach – the passages in bars 311 and 315, in spite of the very neutral dynamics, are not associated with "lightness." The ritenuto appearing in bar 324 may be considered an additional argument for changing the tempo in bar 317.
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category imprint: Editorial revisions
notation: Verbal indications