There is an evident non-compliance of the part of the L.H. in A with the cello and double bass sequence in Morch within ½A:
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In the version of GE, coming probably from Chopin, the harmonically inexplicable middle pedal note g was removed in bar 244. Chopin introduced full compliance of the bass sequence in the piano and orchestra in the proofreading of FE (→EE), which we present in the main text.
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category imprint: Differences between sources; Corrections & alterations
issues: Accompaniment changes, Authentic corrections of FE, Authentic corrections of GE
notation: Pitch