FE1
Main text
½A - Semi-autograph
A - Autograph of the piano part
Morch - Manuscript of the orchestra part
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
EE3 - Corrected impression of EE2
compare
  b. 141-144

R.H. dots in A

Dots in both hands in GE1 (→FEEE)

Dots in both hands in GE2

Dots in both hands suggested by the editors

In A, Chopin marked staccato only over the part of the R.H., which is undoubtedly valid for both hands in the context of this texture. In GE1 (→FEEE), dots were printed only in bar 142, moved to the side of note heads (very frequent, routine intervention of engravers), and they were also added under the L.H. Oversight of the dots in bar 141 and 143-144 certainly stems from the engraver's carelessness, whereas addition of signs for the L.H. could have been ordered by Chopin. GE2 added the overlooked dots – in both hands – in bars 143-144. In the main text we present a similar solution, including signs on the last crotchet in bar 141.

Compare the passage in the sources »

category imprint: Interpretations within context; Differences between sources

issues: Placement of markings, Errors in GE, GE revisions, Authentic corrections of GE

notation: Articulation, Accents, Hairpins

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Original in: Bibliothèque Nationale de France, Paris