In A, Chopin marked staccato only over the part of the R.H., which is undoubtedly valid for both hands in the context of this texture. In GE1 (→FE→EE), dots were printed only in bar 142, moved to the side of note heads (very frequent, routine intervention of engravers), and they were also added under the L.H. Oversight of the dots in bar 141 and 143-144 certainly stems from the engraver's carelessness, whereas addition of signs for the L.H. could have been ordered by Chopin. GE2 added the overlooked dots – in both hands – in bars 143-144. In the main text we present a similar solution, including signs on the last crotchet in bar 141.
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category imprint: Interpretations within context; Differences between sources
issues: Placement of markings, Errors in GE, GE revisions, Authentic corrections of GE
notation: Articulation, Accents, Hairpins