Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 21, Concerto in F minor, Mvt III
In the main text we give the version of A (→GE→FE→EE). However, Morch has a different rhythmic and articulation solution in the viola and cello parts:
.
Chopin most probably diversified this four-bar section in the versions for solo piano and with orchestra on purpose, taking into consideration the difference between the sound of piano and strings (it is the only case in both Concertos).
Compare the passage in the sources »
category imprint: Differences between sources; Source & stylistic information
notation: Rhythm
