½A
Main text
½A - Semi-autograph
A - Autograph of the piano part
Morch - Manuscript of the orchestra part
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
EE3 - Corrected impression of EE2
compare
  b. 75-76

No marks in A (→GE1→FE)

1 staccato dot in EE

4 dots in GE2

2 dots suggested by the editors

In this context, separate staccato dots for the L.H. are not indispensable, hence the notation of A (→GE1FE) may be deemed complete. However, a very similar phrase appeared 8 bars earlier, and the notation of A included more elements – ending of the slur embracing the quaver passage, two dots in the L.H. in bar 67 and a slur under the trill. It suggests that they could have been accidentally overlooked in the discussed place. Due to this reason, in the main text we suggest adding dots under the crotchets in bar 75. EE added a dot under G in bar 76 (after the part of the R.H.), whereas GE2 doubled all four dots.

Compare the passage in the sources »

category imprint: Differences between sources; Editorial revisions

issues: EE revisions, GE revisions

notation: Articulation, Accents, Hairpins

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