Page: 
Source: 
p. 3, b. 29-40
p. 1, b. 1-18
p. 2, b. 19-28
p. 3, b. 29-40
p. 4, b. 41-52
p. 5, b. 53-63
p. 6, b. 64-74
p. 7, b. 75-80
p. 8, b. 81-97
Main text
Main text
½A - Semi-autograph
A - Autograph of the piano part
Morch - Manuscript of the orchestra part
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
EE3 - Corrected impression of EE2
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Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
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Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
½A - Semi-autograph
A - Autograph of the piano part
Morch - Manuscript of the orchestra part
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
EE3 - Corrected impression of EE2
Importance
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Important
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  b. 29-30

Slurs in A, literal reading

Slurs in A, contextual interpretation

Slurs in A, probable reading

Slurs in A (possible interpretation) & GE (→FE)

Slurs in A (different interpretation) & EE

Interpretation of the slurs beginning in bar 29 encounters difficulties, since both the first and the second are written in A in a way allowing for various interpretations. The first, when interpreted literally, would separate the grace notes starting the trill from the trilled note, hence it has to reach either further, which we consider the text of A, or closer, as it was interpreted in GE (→FEEE). The second begins over the triplet, yet an intention of it having started earlier cannot be entirely excluded. Therefore, one can deem the interpretation of GE (→FE) to be justified too; even the version of EE cannot be definitely considered to be incompatible with Chopin's intention.

Compare the passage in the sources»

category imprint: Differences between sources

issues: EE revisions, Inaccuracies in GE, Inaccurate slurs in A, GE revisions

notation: Slurs

Missing markers on sources: A, Morch, FE1, FE2, FED, FEJ, FES, GE1, GE1a, GE2, EE1, EE2, EE3