mUltimate Chopin

Op. 21, Concerto in F minor, Mvt II

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Page: 
Source: 
p. 6, b. 64-74
p. 1, b. 1-18
p. 2, b. 19-28
p. 3, b. 29-40
p. 4, b. 41-52
p. 5, b. 53-63
p. 6, b. 64-74
p. 7, b. 75-80
p. 8, b. 81-97
Main text
Main text
½A - Semi-autograph
A - Autograph of the piano part
Morch - Manuscript of the orchestra part
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
EE3 - Corrected impression of EE2
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½A - Semi-autograph
A - Autograph of the piano part
Morch - Manuscript of the orchestra part
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
EE3 - Corrected impression of EE2
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  b. 65

d(1) in A (→GE1)

d(1) in FE (→EE) & GE2

Idem, R.H. only

The missing flats returning d(1) on the 6th semiquaver of the 2nd half of the bar in A (→GE1) is most probably Chopin's mistake. In any case, flats added in the proofreading of FE (→EE) dissipate any doubts about his final intention. Cf. bar 69.

If in bar 64 the version with harmonic accompaniment was chosen, the first or third version is to be selected here.

Compare the passage in the sources»

category imprint: Differences between sources

issues: Omissions to cancel alteration, GE revisions, Authentic corrections of FE

notation: Pitch

Missing markers on sources: A, Morch, FE1, FE2, FED, FEJ, FES, GE1, GE1a, GE2, EE1, EE2, EE3
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