Page: 
Source: 
p. 5, b. 53-63
p. 1, b. 1-18
p. 2, b. 19-28
p. 3, b. 29-40
p. 4, b. 41-52
p. 5, b. 53-63
p. 6, b. 64-74
p. 7, b. 75-80
p. 8, b. 81-97
Main text
Main text
½A - Semi-autograph
A - Autograph of the piano part
Morch - Manuscript of the orchestra part
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
EE3 - Corrected impression of EE2
Select notes: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
½A - Semi-autograph
A - Autograph of the piano part
Morch - Manuscript of the orchestra part
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
EE3 - Corrected impression of EE2
Importance
All
Important
Main
Prezentacja
Select 
copy link PDF Main text


  b. 63

Slur in A

3 slurs in GE1 (→FEEE)

3 slurs in GE2

The range of the slur written in A in the 2nd half of the bar is uncertain – we assume it is supposed to reach to the next bar. It was interpreted similarly in the editions, in which, however, except for GE2, the beginning of the slur was placed earlier, already over the b crotchet. In the editions, another slur was added, for the L.H., which does not seem to be necessary in this layout. In addition, in the part of the L.H. a slur in the 1st half of the bar was added, whereas in GE1 (→FEEE) its range does not coincide with the respective slurs of the R.H. both in this edition and in A. The authenticity of the changes introduced in GE1 seems to be highly unlikely, although it cannot be excluded that some changes or additions come from the composer.

Compare the passage in the sources »

category imprint: Graphic ambiguousness; Differences between sources

issues: Inaccurate slurs in A, GE revisions

notation: Slurs

Missing markers on sources: A, Morch, FE1, FE2, FED, FEJ, FES, GE1, GE1a, GE2, EE1, EE2, EE3