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p. 4, b. 41-52
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At the end of the bar, in the main text we add flats returning B
1-B after B
1-B in the piano reduction of the orchestral part. Chopin and the revisers of the editions may have considered them to be superfluous (after all, they are not necessary in the solo part, regarded separately). In two subsequent bars, such a kind of additions were introduced, however, in FE (→EE) in spite of no direct succession of different notes at the same pitch.
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category imprint: Editorial revisions
issues:
notation: Pitch
Missing markers on sources:
A, Morch, FE1, FE2, FED, FEJ, FES, GE1, GE1a, GE2, EE1, EE2, EE3