Page: 
Source: 
p. 3, b. 29-40
p. 1, b. 1-18
p. 2, b. 19-28
p. 3, b. 29-40
p. 4, b. 41-52
p. 5, b. 53-63
p. 6, b. 64-74
p. 7, b. 75-80
p. 8, b. 81-97
EE1 - First English edition
Main text
½A - Semi-autograph
A - Autograph of the piano part
Morch - Manuscript of the orchestra part
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
EE3 - Corrected impression of EE2
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½A - Semi-autograph
A - Autograph of the piano part
Morch - Manuscript of the orchestra part
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
EE3 - Corrected impression of EE2
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  b. 34

Slurs from 2nd quaver in A, EE & GE2

Slurs from 1st quaver in GE1

Different slurs in FE

The slurs in A begin from the 2nd quaver of half-bar figures. The first, discussed separately, could be considered to be unclear, yet other slurs in similar figures do not leave any doubt about Chopin's intention. In spite of this, in GE1 each of the slurs embraces a half of the bar. Shortening the 1st slur in FE is probably only an inaccuracy; however, it could have encouraged the engraver of EE to shorten the 2nd slur too. The slurs compatible with A were introduced also in GE2.

Compare the passage in the sources »

category imprint: Differences between sources

issues: EE revisions, Inaccuracies in GE, Inaccuracies in FE, GE revisions

notation: Slurs

Missing markers on sources: A, Morch, FE1, FE2, FED, FEJ, FES, GE1, GE1a, GE2, EE1, EE2, EE3