Issues : Authentic corrections of FE
b. 2
|
composition: Op. 21, Concerto in F minor, Mvt II
..
The absence of a lowering d1 to d1 is certainly an oversight of the engraver of FE1 (→EE1). The mistake was corrected in FE2 and EE2 (→EE3). category imprint: Differences between sources issues: EE revisions , Errors in FE , Authentic corrections of FE |
|||||||||||||||||||
b. 6
|
composition: Op. 21, Concerto in F minor, Mvt II
..
All source notations of the 2nd half of the bar are erroneous or unclear, however, none of them can be corrected in a way that would not be questioned.
In this situation, we base the main text on the version of A which, in spite of its inaccuracies, seems to be the most reliable, as far as the authenticity is concerned. Out of two natural possibilities of correcting the mistake (changing two demisemiquavers to hemidemisemiquavers or deleting one of the dots extending the e1 quaver) we choose the second, giving a smoother development of the figuration introducing the main theme. We suggest a modified version of FE as an alternative version. category imprint: Interpretations within context; Differences between sources issues: Inaccuracies in GE , Errors in GE , Rhythmic errors , Errors of A , Authentic corrections of FE |
|||||||||||||||||||
b. 20
|
composition: Op. 21, Concerto in F minor, Mvt II
..
Omission of the a1 note seems to be a result of Chopin's proofreading, who could have removed it to avoid false relation with the A-a octave on the 4th beat of the bar (in analogous bar 88, in which a remained in the chord, the ending chord is different). However, the version of A (→GE) may be certainly considered an equal variant. category imprint: Differences between sources issues: Authentic corrections of FE |
|||||||||||||||||||
b. 20
|
composition: Op. 21, Concerto in F minor, Mvt II
..
The version of GE1 is certainly erroneous: it is most probably a revised Terzverschreibung error, by adding a . Chopin restored the chord with c2, written in A, in a proofreading of FE (→EE). At the time of executing this proofreading, a superfluous was moved together with the note head. category imprint: Differences between sources issues: Errors in GE , Terzverschreibung error , GE revisions , Authentic corrections of FE |
|||||||||||||||||||
b. 29
|
composition: Op. 21, Concerto in F minor, Mvt II
..
The sixth in GE1 is a clear example of a Terzverschreibung error, corrected by Chopin in FE (→EE). The correct version was introduced also in GE2. category imprint: Differences between sources issues: Errors in GE , GE revisions , Authentic corrections of FE |