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Issues : Authentic corrections of FE
b. 2
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composition: Op. 21, Concerto in F minor, Mvt II
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The absence of a category imprint: Differences between sources issues: EE revisions , Errors in FE , Authentic corrections of FE |
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b. 6
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composition: Op. 21, Concerto in F minor, Mvt II
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All source notations of the 2nd half of the bar are erroneous or unclear, however, none of them can be corrected in a way that would not be questioned.
In this situation, we base the main text on the version of A which, in spite of its inaccuracies, seems to be the most reliable, as far as the authenticity is concerned. Out of two natural possibilities of correcting the mistake (changing two demisemiquavers to hemidemisemiquavers or deleting one of the dots extending the e category imprint: Interpretations within context; Differences between sources issues: Inaccuracies in GE , Errors in GE , Rhythmic errors , Errors of A , Authentic corrections of FE |
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b. 20
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composition: Op. 21, Concerto in F minor, Mvt II
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Omission of the a category imprint: Differences between sources issues: Authentic corrections of FE |
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b. 20
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composition: Op. 21, Concerto in F minor, Mvt II
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The version of GE1 is certainly erroneous: it is most probably a revised Terzverschreibung error, by adding a category imprint: Differences between sources issues: Errors in GE , Terzverschreibung error , GE revisions , Authentic corrections of FE |
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b. 29
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composition: Op. 21, Concerto in F minor, Mvt II
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The sixth in GE1 is a clear example of a Terzverschreibung error, corrected by Chopin in FE (→EE). The correct version was introduced also in GE2. category imprint: Differences between sources issues: Errors in GE , GE revisions , Authentic corrections of FE |