![](/build/images/logo_left-en.png)
![](/build/images/pl-button.5cab5de0.png)
![](/build/images/pomoc-button.d3d09842.png)
![](/build/images/pomoc-button-en.5098433b.png)
Articulation, Accents, Hairpins
b. 76
|
composition: Op. 21, Concerto in F minor, Mvt II
..
The presence of a staccato dot also over the 1st semiquaver in the editions is, according to us, a result of inattention of the engraver of GE1 or of his belief that the notation of A was performed carelessly. In both previous appearances of this phrase, the move after the syncopation of a category imprint: Differences between sources issues: Errors in GE |
||||||||
b. 77
|
composition: Op. 21, Concerto in F minor, Mvt II
..
The long accent in FE (→EE), not arising from the notation of A (→GE), is probably an accidental inaccuracy. category imprint: Differences between sources issues: Long accents , Inaccuracies in FE |
||||||||
b. 77
|
composition: Op. 21, Concerto in F minor, Mvt II
..
The overlooked staccato dot over B category imprint: Differences between sources issues: Errors in GE |
||||||||
b. 79
|
composition: Op. 21, Concerto in F minor, Mvt II
..
In the 2nd half of the bar, both the absence of the first two staccato dots in GE (→FE→EE) and an additional dot over the demisemiquaver in EE is certainly a result of an inaccurate work of the engravers. category imprint: Differences between sources issues: Errors in EE , Errors in GE |
||||||||
b. 79
|
composition: Op. 21, Concerto in F minor, Mvt II
..
Reproducing the accent in the editions as short is certainly a result of an inaccurate interpretation of A by the engraver of GE1. category imprint: Differences between sources issues: Long accents , Inaccuracies in GE |