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Issues : Errors in GE
b. 40
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composition: Op. 21, Concerto in F minor, Mvt II
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In the sources the category imprint: Interpretations within context; Editorial revisions issues: Errors in FE , Errors in EE , Omissions to cancel alteration , Errors in GE , Errors of A |
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b. 41
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composition: Op. 21, Concerto in F minor, Mvt II
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The engraver of GE did not notice the c category imprint: Differences between sources issues: Errors in GE , GE revisions , Authentic corrections of FE , Uncertain notes on ledger lines |
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b. 41
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composition: Op. 21, Concerto in F minor, Mvt II
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The rhythmic notation of the majority of the sources is incorrect, since the group has only 8½ semiquavers. Therefore, it is most probably a mistake of the engraver who, presumably, added a beam almost "automatically" (in similar situations it is the figures in which the note after the rest is shorter than the previous that appear more frequently). Cf. a similar situation in bar 81. The mistake was revised in GE2 after A and arbitrarily in EE3 (the latter is still erroneous, since the group has, contrary to the indication, only 8 semiquavers). category imprint: Differences between sources issues: EE revisions , Errors in GE , GE revisions |
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b. 41
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composition: Op. 21, Concerto in F minor, Mvt II
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An additional staccato dot on the last note of the bar is most probably a result of a mistake of the engraver of GE. category imprint: Differences between sources issues: Errors in GE |
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b. 42
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composition: Op. 21, Concerto in F minor, Mvt II
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The missing accent in the editions is almost certainly a result of inaccuracy of the engraver of GE1, who also overlooked slurs in this bar. Cf. bar 44 too. category imprint: Differences between sources issues: Long accents , Errors in GE |