Issues : Long accents

b. 41

composition: Op. 21, Concerto in F minor, Mvt II

Short accent in A (→GE) & EE

Long accent in FE

..

The long accent could have been introduced in FE by Chopin (cf. bars 39-40), hence we adopt it to the main text.

category imprint: Differences between sources

issues: Long accents , EE inaccuracies , Authentic corrections of FE

b. 42

composition: Op. 21, Concerto in F minor, Mvt II

Accent in A

No mark in GE (→FEEE)

..

The missing accent in the editions is almost certainly a result of inaccuracy of the engraver of GE1, who also overlooked slurs in this bar. Cf. bar 44 too.

category imprint: Differences between sources

issues: Long accents , Errors in GE

b. 45

composition: Op. 21, Concerto in F minor, Mvt II

Accent in A

 in GE (→FEEE)

..

The unquestionable long accent in A under the bquaver started in the editions (certainly contrary to Chopin's intention) clearly earlier.

category imprint: Differences between sources

issues: Long accents

b. 48

composition: Op. 21, Concerto in F minor, Mvt II

Long accent in A

Short accent in GE & EE2 (→EE3)

No mark in FE (→EE)

..

The unquestionable long accent written in A was reproduced in GE as short and in FE (→EE1) it was overlooked. There seems to be no reason to attribute any of these changes to Chopin's intervention. In subsequent EE the accent was most probably added after GE.

category imprint: Differences between sources

issues: Long accents , EE revisions , Errors in FE , Inaccuracies in GE

b. 77

composition: Op. 21, Concerto in F minor, Mvt II

Short accent in A (→GE)

Long accent in FE (→EE)

..

The long accent in FE (→EE), not arising from the notation of A (→GE), is probably an accidental inaccuracy.

category imprint: Differences between sources

issues: Long accents , Inaccuracies in FE