Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
(Op. 4), Sonata in C minor
Op. 21, Concerto in F minor, Mvt II
The musical sense obliges us to consider three accents at the beginning of subsequent halves of bars in A to be signs of one type. Since the first and third are undoubtedly long, we interpret the third, smaller sign, to be also long (cf. short accents in bars 32-33). In the editions all three signs were reproduced as short.
Compare the passage in the sources »
category imprint: Graphic ambiguousness; Differences between sources
issues: Long accents
notation: Articulation, Accents, Hairpins
