GE1
Main text
½A - Semi-autograph
A - Autograph of the piano part
Morch - Manuscript of the orchestra part
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
EE3 - Corrected impression of EE2
compare
  b. 30-31

Long accents in A

Short accents in GE (→FEEE)

The musical sense obliges us to consider three accents at the beginning of subsequent halves of bars in A to be signs of one type. Since the first and third are undoubtedly long, we interpret the third, smaller sign, to be also long (cf. short accents in bars 32-33). In the editions all three signs were reproduced as short.

Compare the passage in the sources »

category imprint: Graphic ambiguousness; Differences between sources

issues: Long accents

notation: Articulation, Accents, Hairpins

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