FE1
Main text
½A - Semi-autograph
A - Autograph of the piano part
Morch - Manuscript of the orchestra part
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
EE3 - Corrected impression of EE2
compare
  b. 23

 in A, probable interpretation

 in GE (→FEEE)

The  sign written in A has uneven arms. We assume (also in the main text) that the intentional range of the sign is marked by the upper arm, more specifically by its initial fragment, separated from the main part of the sign as a result of a break in the ink supply. The editions may have taken into account the lower arm, yet the sign in GE (→FEEE) is even longer, which certainly does not result from the notation of A.

Compare the passage in the sources »

category imprint: Graphic ambiguousness; Differences between sources

issues: Inaccuracies in GE, Inaccuracies in A

notation: Articulation, Accents, Hairpins

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