Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 21, Concerto in F minor, Mvt II
In A the naturals raising d
notes to d are written only on the 4th beat of the bar. In spite of this, there are no doubts that d is required in the entire 2nd half of the bar. In GE1 (→FE→EE, →GE2) a 
raising d3 to d3 at the beginning of the 3rd beat of the bar was added (referring also to d4), but only EE and GE2 include a corresponding sign before the penultimate semiquaver.
Compare the passage in the sources »
category imprint: Interpretations within context; Differences between sources; Editorial revisions
issues: EE revisions, Accidentals in different octaves, Inaccuracies in GE, Inaccuracies in FE, GE revisions, Omission of current key accidentals, Errors of A, Authentic corrections of GE
notation: Pitch
