EE1
Main text
½A - Semi-autograph
A - Autograph of the piano part
Morch - Manuscript of the orchestra part
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
EE3 - Corrected impression of EE2
compare
  b. 84

 in A

 in GE

 in FE

 in EE

The  sign, concerning the last two octaves of this phrase in A, was being gradually deformed in the editions, so that EE suggests a crescendo for the entire 2nd half of the bar. In the main text we preserve the notation of A.

Compare the passage in the sources »

category imprint: Differences between sources

issues: Inaccuracies in GE, Inaccuracies in FE, EE inaccuracies

notation: Articulation, Accents, Hairpins

Go to the music

Original in: Biblioteca Civica Angelo Mai, Bergamo