FE1
Main text
½A - Semi-autograph
A - Autograph of the piano part
Morch - Manuscript of the orchestra part
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
EE3 - Corrected impression of EE2
compare
  b. 81

8 notes in A

8 notes in GE

9 notes with g2 in FE (→EE), contextual interpretation

9 notes with g2 suggested by the editors

9 notes with e2 – another interpretation of FE (→EE)

Idem, alternative rhythm

The roulade ending this bar has two basic versions in the sources:

  • an eight-note one in A (→GE), in which f2 appears directly after d2;
  • a nine-note one in FE (→EE), in which between d2 and f2 there is also g2.

The second was undoubtedly introduced on Chopin's request, however, its notation raises certain doubts – the g2 note added in the proofreading is preceded with a  (cautionary?), being totally unjustified in this context (e.g. both in analogous bars 13 and 32 and in the discussed bar the top most note of this figure, g3, is written without a ). Therefore, one could wonder whether a Terzverschreibung error could have been committed here and whether the intended note could have been an e2, which naturally develops the melodic line of this figure after the esemiquaver. We suggest this possibility as an alternative interpretation of the Chopin proofreading of FE.

Differences in the notation of the rhythm of the figure's ending – see the last note in this bar – cause that two slightly differing rhythmic schemes can be ascribed to each of the versions of the roulade discussed above.

Compare the passage in the sources »

category imprint: Differences between sources; Editorial revisions; Corrections & alterations

issues: Terzverschreibung error, Cautionary accidentals, Authentic corrections of FE

notation: Pitch

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