Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 21, Concerto in F minor, Mvt II
The presence of a staccato dot also over the 1st semiquaver in the editions is, according to us, a result of inattention of the engraver of GE1 or of his belief that the notation of A was performed carelessly. In both previous appearances of this phrase, the move after the syncopation of a2 is resumed on one of the weakest beats of the bar.
Compare the passage in the sources »
category imprint: Differences between sources
issues: Errors in GE
notation: Articulation, Accents, Hairpins