EE1
Main text
½A - Semi-autograph
A - Autograph of the piano part
Morch - Manuscript of the orchestra part
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
EE3 - Corrected impression of EE2
compare
  b. 64-69

In the final section of the recitative, embracing these bars, Chopin omitted the majority of indications of the irregular groups in A (→GE1) – he only wrote a '7' over the part of the R.H. in bars 65 and 66. In the remaining editions, additions in this respect were performed, and we consider the digits added in FE (→EE) in bar 64 ('12') and 69 ('21') to be authentic. GE2 added all formally necessary markings. We introduce additions also in the main text, apart from brackets in obvious situations (graphically separated triplets and markings omitted in the L.H. only). The only less obvious situation – in bar 64 – is discussed separately.

Compare the passage in the sources »

category imprint: Differences between sources; Editorial revisions

issues: EE revisions, GE revisions, Authentic corrections of FE

notation: Rhythm

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Original in: Biblioteca Civica Angelo Mai, Bergamo