Page: 
Source: 
p. 16, b. 241-250
p. 1, b. 1-22
p. 2, b. 23-49
p. 3, b. 50-76
p. 4, b. 77-92
p. 5, b. 93-104
p. 6, b. 105-114
p. 7, b. 115-124
p. 8, b. 125-140
p. 9, b. 141-153
p. 10, b. 154-168
p. 11, b. 169-180
p. 12, b. 181-204
p. 13, b. 205-219
p. 14, b. 220-230
p. 15, b. 231-240
p. 16, b. 241-250
p. 17, b. 251-267
p. 18, b. 268-286
p. 19, b. 287-298
p. 20, b. 299-313
p. 21, b. 314-327
p. 22, b. 328-348
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½A - Semi-autograph
A - Autograph of the piano part
Morch - Manuscript of the orchestra part
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
EE3 - Corrected impression of EE2
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½A - Semi-autograph
A - Autograph of the piano part
Morch - Manuscript of the orchestra part
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
EE3 - Corrected impression of EE2
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  b. 241-246

poco - a - poco - cre - scen - do - in A

poco a poco cresc.  cresc. in GE1

poco - a - poco - cresc. - cresc. in FE

poco - a - poco - cre - scen - do in EE

poco a poco cresc.  cresc. - - in GE2

The poco a poco crescendo indication, carefully planned by Chopin over six bars in A, was reproduced in GE1 in a similar way, yet less logical and legible: dashes combining particular elements of the indication and showing its destination ( in bar 247) were overlooked and particular words were regrouped, by doubling the cresc. indication, which appears in bars 243 and 244. FE repeated the notation of GE1, adding – perhaps at Chopin's request – dashes between particular parts of the indication (in bars 241-244). The last notation was subject to further, seemingly logical changes in EE, as a result of which, however, the crescendo seems to be terminating in bar 244. The notation of GE2 is closest to Chopin's intention; it repeated the indications of GE1, yet adding dashes after the last cresc. until bar 247.

Compare the passage in the sources»

category imprint: Differences between sources

issues: EE revisions, Inaccuracies in GE, GE revisions, Authentic corrections of FE

notation: Verbal indications

Missing markers on sources: GE1, A, GE1a, Morch, GE2, FE1, FE2, FES, FED, FEJ, EE1, EE2, EE3