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Source:
p. 14, b. 220-230
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Together with the change of accentuation Chopin changed in the proofreading of GE (→FE→EE) also the rhythm: the last crotchet in the 1st half of the bar was sustained and a possible quintuplet of semiquavers was divided into a triplet and a pair of common semiquavers. The change, similarly as in the case of the accents, constitutes the final stage of rhythmic transformations, since the traces of corrections in A prove the existence of an already earlier version.
category imprint: Differences between sources; Corrections & alterations
issues: Corrections in A, Authentic corrections of GE
notation: Rhythm
Missing markers on sources:
GE1, A, GE1a, Morch, GE2, FE1, FE2, FES, FED, FEJ, EE1, EE2, EE3