Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
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Op. 21, Concerto in F minor, Mvt I
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We reproduce the moment of the beginning of the hairpin in the main text on the basis of A. In GE1 it was moved a quaver earlier (adjusted to a half of the bar); however, due to a clumsy layout of the text, the sign seems to be reaching until the e2 minim and it was interpreted so both in FE (→EE) and GE2.
Compare the passage in the sources »
category imprint: Differences between sources
issues: Inaccuracies in GE, Inaccuracies in FE
notation: Articulation, Accents, Hairpins