GE2
Main text
½A - Semi-autograph
A - Autograph of the piano part
Morch - Manuscript of the orchestra part
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
EE3 - Corrected impression of EE2
compare
  b. 29

 for 3 quavers in A

 for 4 quavers in GE1

 for 6 quavers in FE (→EE) & GE2

We reproduce the moment of the beginning of the  hairpin in the main text on the basis of A. In GE1 it was moved a quaver earlier (adjusted to a half of the bar); however, due to a clumsy layout of the text, the sign seems to be reaching until the eminim and it was interpreted so both in FE (→EE) and GE2.

Compare the passage in the sources »

category imprint: Differences between sources

issues: Inaccuracies in GE, Inaccuracies in FE

notation: Articulation, Accents, Hairpins

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