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Issues : Partial corrections
b. 98
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composition: Op. 21, Concerto in F minor, Mvt I
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An additional c2 note could have been added by Chopin in the proofreading of GE1 (→FE→EE). The melodic line of the accompaniment, where the second quaver of each pair is higher than the previous dyad or chord, suggests that the note was probably to be sustained, which was then performed in the proofreading of FE (→EE). It cannot be excluded that the additional c2 was printed in GE1 by mistake and left unnecessarily after having added the correct note, a In the main text we give the version of FE as intended or accepted by Chopin. The version of A may be considered an equal variant, whereas the version of GE1 is almost certainly erroneous. category imprint: Interpretations within context; Differences between sources issues: Errors in GE , Terzverschreibung error , GE revisions , Authentic corrections of FE , Authentic corrections of GE , Partial corrections |
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b. 174
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composition: Op. 21, Concerto in F minor, Mvt I
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The first of two category imprint: Differences between sources issues: Errors in GE , GE revisions , Partial corrections |
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b. 185
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composition: Op. 21, Concerto in F minor, Mvt I
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In the main text we give the notation of A, the only authentic according to us. The versions of editions are a sequence of cumulative mistakes, inaccuracies, misinterpretations and arbitrary changes:
category imprint: Differences between sources issues: Long accents , EE revisions , Inaccuracies in FE , Errors in GE , GE revisions , EE inaccuracies , Partial corrections |
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b. 346
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composition: Op. 21, Concerto in F minor, Mvt I
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In GE1 the semiquaver opening the characteristic main motif of this movement of the Concerto, recalled here, is A category imprint: Interpretations within context; Differences between sources issues: Errors in GE , GE revisions , Authentic corrections of FE , Partial corrections |