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Fingering

b. 230

composition: Op. 21, Concerto in F minor, Mvt I

m.s. over g1 in A & EE

m.s. over 9th semiquaver in GE (→FE)

..

The indication to perform gwith the L.H. was moved in GE (→FE) to the beginning of 2nd half of the bar. A comparison with analogous bars 226, 234, 236, 238 and 240 proves that it is a mistake. The correct division between the hands was guessed in EE

category imprint: Differences between sources

issues: EE revisions , Errors in GE

b. 233-234

composition: Op. 21, Concerto in F minor, Mvt I

Fingering written into FED

No teaching fingering

..

The fingering written in FED certainly comes from Chopin.

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FED

b. 233-235

composition: Op. 21, Concerto in F minor, Mvt I

No fingering in A (→GE)

Fingering in FE (→EE)

..

The fingering of the first two semiquavers was added by Chopin, while proofreading FE (→EE). See also bar 237.

category imprint: Differences between sources

issues: Authentic corrections of FE

b. 235

composition: Op. 21, Concerto in F minor, Mvt I

Fingering written into FED

 

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FED

b. 237-239

composition: Op. 21, Concerto in F minor, Mvt I

Fingering written into FED

No teaching fingering

..

The fingering in the R.H. in bars 237 and 239 coming from Chopin was written – probably with the pupil's hand – into FED.

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FED