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Issues : Omissions to cancel alteration
b. 198
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composition: Op. 21, Concerto in F minor, Mvt I
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In A there is no accidental before the 10th semiquaver. Chopin's patent oversight was corrected already in GE1 (→FE→EE, →GE2), by adding a category imprint: Interpretations within context; Differences between sources issues: Omissions to cancel alteration , GE revisions , Errors of A |
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b. 220
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composition: Op. 21, Concerto in F minor, Mvt I
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The harmonically vague and sonically awkward version of A (→GE1→FE) raised doubts already in EE and GE2, in which the penultimate quaver was changed – by analogy to bar 218 – to c category imprint: Interpretations within context; Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FED , Omissions to cancel alteration , GE revisions , Errors of A , Accidental below/above the note |
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b. 249
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composition: Op. 21, Concerto in F minor, Mvt I
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The sources feature a rather unnecessary category imprint: Differences between sources issues: Omissions to cancel alteration , Cautionary accidentals , Inaccuracies in A |
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b. 278
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composition: Op. 21, Concerto in F minor, Mvt I
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In A there is no category imprint: Interpretations within context issues: Errors in FE , Errors in EE , Omissions to cancel alteration , Errors in GE , Errors of A |
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b. 287
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composition: Op. 21, Concerto in F minor, Mvt I
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Same as in analogous bar 139, in A Chopin overlooked the category imprint: Interpretations within context; Editorial revisions issues: Errors in FE , Errors in EE , Omissions to cancel alteration , Errors in GE , Errors of A |