Issues : Errors in FE

b. 139

composition: Op. 21, Concerto in F minor, Mvt I

 in A

 & dot in GE & EE2 (→EE3)

Dot in FE (→EE1)

..

The omission of the mordent in FE (→EE1) is certainly a mistake – it is hard to imagine that Chopin could have not noticed the remaining mistakes while possibly removing the ornament. However, it should be emphasised that in FED Chopin did not add , in spite of having corrected two other mistakes in the 1st half of the bar. The sign was added in EE2 (→EE3), probably after GE1. The staccato dot present in the sources is a result of a mistake of GE1 – see the note above. 

category imprint: Differences between sources

issues: EE revisions , Errors in FE

b. 139

composition: Op. 21, Concerto in F minor, Mvt I

..

In A Chopin overlooked the  restoring a1, which was not noticed in any of the editions. Similarly in analogous bar 287.

category imprint: Interpretations within context; Editorial revisions

issues: Errors in FE , Errors in EE , Omissions to cancel alteration , Errors in GE , Errors of A

b. 139

composition: Op. 21, Concerto in F minor, Mvt I

Staccato dots in A (→GE)

No marks in FE (→EE)

..

The missing staccato dots in the 2nd half of the bar is one of numerous errors of FE in this bar.

category imprint: Differences between sources

issues: Errors in FE

b. 143

composition: Op. 21, Concerto in F minor, Mvt I

Long accet in A (→GE1)

No mark in FE (→EE)

 in GE2

..

The missing accent in FE (→EE) is most probably an oversight. In GE2, the long accent, quite accurately reproduced in GE1, was changed to a much longer  hairpin.

category imprint: Differences between sources

issues: Errors in FE

b. 143

composition: Op. 21, Concerto in F minor, Mvt I

..

GE1 (→FE1) has as the 1st quaver. Chopin corrected this mistake in the proofreading of FE2 (→EE). The correct version was introduced also in GE2

category imprint: Differences between sources

issues: Errors in FE , Errors in GE , GE revisions , Authentic corrections of FE