Issues : Cautionary accidentals
b. 144
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composition: Op. 21, Concerto in F minor, Mvt I
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The cautionary naturals before the f1-f2 octave are only in FE (→EE), added most probably by Chopin. category imprint: Differences between sources issues: Cautionary accidentals , Authentic corrections of FE |
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b. 148
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composition: Op. 21, Concerto in F minor, Mvt I
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In the majority of the sources, the raising d2 to d2 is not before the note but 7 notes earlier, before d3 written at the same pitch, which in that time was generally considered to be enough. Strictly speaking, the sign is not necessary there at all, since d3 written at the pitch of d2 is already on the 4th note of the roulade – this observation most probably made the reviser of GE2 remove the sign before the second d3. category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: Accidentals in different octaves , GE revisions , Cautionary accidentals |
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b. 198
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composition: Op. 21, Concerto in F minor, Mvt I
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In the sources the only cautionary sign in this bar is a before d1 in the middle of the bar. In the main text we add three flats more before e1 (twice) and e2. category imprint: Editorial revisions issues: Cautionary accidentals |
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b. 203
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composition: Op. 21, Concerto in F minor, Mvt I
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In the main text we omit the unjustified flats before the e and a crotchets.
category imprint: Editorial revisions |
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b. 216
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composition: Op. 21, Concerto in F minor, Mvt I
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The last three semiquavers in A (→GE1→FE) are devoid of accidentals. This inaccurate notation, characteristic for Chopin particularly in his early pieces, was corrected in EE and GE2. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , Accidentals in different octaves , GE revisions , Cautionary accidentals |