Issues : Corrected slurs of Op. 21 in GE1
- « Previous
- 1
- 2
- Next »
b. 147
|
composition: Op. 21, Concerto in F minor, Mvt I
..
The slur under the sextuplet, visible in A, was replaced with a phrase mark of a greater range in GE (→FE→EE) (the inaccurately engraved ending of this slur was corrected both in FE and GE2). The visible traces of corrections show that initially the slur started already from the d2 quaver. The last correction was certainly performed by Chopin; it cannot be excluded that the very addition of the slur was inspired by him. category imprint: Differences between sources issues: Inaccuracies in GE , Authentic corrections of GE , Triplet slurs , Corrected slurs of Op. 21 in GE1 |
|||||
b. 255
|
composition: Op. 21, Concerto in F minor, Mvt I
..
The traces of corrections, visible in GE1, prove that the slurs were initially divided on the bar line, which means that bars 254-256 were embraced – contrary to the clear notation of A – with three whole-bar slurs. category imprint: Source & stylistic information issues: Authentic corrections of GE , Corrected slurs of Op. 21 in GE1 |
|||||
b. 326-327
|
composition: Op. 21, Concerto in F minor, Mvt I
..
When interpreted literally, the slur of A does not exceed bar 326. However, its shape suggests leading it to the beginning of bar 327, which is confirmed by the corrected – most probably by Chopin – slur of GE (→FE→EE). category imprint: Graphic ambiguousness; Differences between sources issues: Inaccurate slurs in A , Authentic corrections of GE , Corrected slurs of Op. 21 in GE1 |
- « Previous
- 1
- 2
- Next »