Issues : No pedal release mark
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b. 283
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composition: Op. 21, Concerto in F minor, Mvt I
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In A there is no asterisk after the sign in the middle of the bar. This oversight, frequent in Chopin's works, unnoticed perhaps due to the end of the page in A, could have also contributed to the erroneous interpretation of the sign as in GE (→FE→EE). In EE were added, most probably on the basis of the authentic pedalling in analogous bar 135. The pedalling was added also in GE2, although only in the incomplete version of A; the sign was also preserved, in spite of the fact that it is not included in A. category imprint: Interpretations within context; Differences between sources issues: Errors in GE , GE revisions , No pedal release mark |
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b. 299-300
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composition: Op. 21, Concerto in F minor, Mvt I
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The missing sign in A (→GE) can be Chopin's oversight; however, it is not entirely clear where it is to be added. The pedal is certainly to be held at least for a half of the bar, yet probably much longer. The signs suggested by us determine a section in which a pedal's release sounds most naturally (it is best to do it gradually as the so-called diminuendo pedal). category imprint: Differences between sources; Editorial revisions issues: Errors in FE , No pedal release mark |
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b. 335-336
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composition: Op. 21, Concerto in F minor, Mvt I
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The sign in FE (→EE) was certainly added by Chopin – cf. analogous bar 179. In that case the composer also did not mark the place of the pedal's release. In the main text we suggest an addition, compliant with the revision introduced in EE. category imprint: Differences between sources issues: EE revisions , Authentic corrections of FE , No pedal release mark |
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