Issues : FE revisions

b. 50-70

composition: Op. 21, Concerto in F minor, Mvt I

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In GE the entire first Tutti was printed – certainly erroneously – in a font of a normal size.

category imprint: Differences between sources

issues: Errors in GE , FE revisions

b. 55-56

composition: Op. 21, Concerto in F minor, Mvt I

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The slur in GE1 reaches only to the bar line. The inaccuracy was not repeated in any other edition.

category imprint: Differences between sources

issues: Inaccuracies in GE , GE revisions , FE revisions

b. 59-62

composition: Op. 21, Concerto in F minor, Mvt I

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In A the part of the L.H. is written in an abbreviated manner as a sequence of minims provided with signs of a quaver tremolo. In GE1 the notation was repeated only in bars 61-62. In the remaining editions all abbreviations were explained, as in the main text.

category imprint: Source & stylistic information

issues: GE revisions , Abbreviated notation of A , FE revisions

b. 85

composition: Op. 21, Concerto in F minor, Mvt I

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A typical Chopin oversight – a missing  restoring e2 – was not corrected in any of the editions. It is particularly bizarre in FE where the  before ewas removed, unnecessarily repeated on the 4th semiquaver in A (→GE).

category imprint: Interpretations within context; Editorial revisions

issues: Errors in FE , Errors in EE , Omissions to cancel alteration , Errors in GE , Cautionary accidentals , Errors of A , FE revisions

b. 114

composition: Op. 21, Concerto in F minor, Mvt I

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In A (→GE) a  is missing before the 8th semiquaver in the L.H. (d1). In turn, Chopin repeated a  before bin the L.H. at the end of the bar. FE removed the second sign, yet did not add the first one. EE includes the fully correct notation.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Accidentals in different octaves , Cautionary accidentals , FE revisions