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b. 286

composition: Op. 21, Concerto in F minor, Mvt I

e2 repeated in A (→GEFEEE1EE2)

e2 tied in EE3

Tie to e2 suggested by the editors

..

In the main text we suggest tying e2, after the Chopin proofreading of FE in the analogous bar of the exposition (bar 138). The tie was added in EE3, most probably on the basis of comparison with the exposition.

category imprint: Differences between sources; Editorial revisions

issues: EE revisions , Omitted correction of an analogous place

b. 286

composition: Op. 21, Concerto in F minor, Mvt I

No mark in A (→GEFEEE1)

Short accent in EE2 (→EE3)

Long accent suggested by the editors

..

In the main text we suggest adding an accent on the basis of comparison with analogous bar 138. The second half of this bar seems to have been written less carefully in A – cf. the note on pedalling. The accent was added in EE2 (→EE3), most probably on the same basis.

category imprint: Differences between sources; Editorial revisions

issues: EE revisions

b. 286

composition: Op. 21, Concerto in F minor, Mvt I

No markings in A (→GEFE)

  in EE

[ ] suggested by the editors

..

In the main text we suggest adding pedalling after indications added by Chopin in the proofreading of FE in analogous bar 138. Such an addition was introduced already in EE.

category imprint: Differences between sources; Editorial revisions

issues: EE revisions

b. 287

composition: Op. 21, Concerto in F minor, Mvt I

..

Same as in analogous bar 139, in A Chopin overlooked the  returning a1, which remained unnoticed in all editions.

category imprint: Interpretations within context; Editorial revisions

issues: Errors in FE , Errors in EE , Omissions to cancel alteration , Errors in GE , Errors of A

b. 287

composition: Op. 21, Concerto in F minor, Mvt I

..

This time the  returning doverlooked by Chopin – as in analogous bar 139 – was added already in GE1 (→FEEE, →GE2).

 

category imprint: Interpretations within context; Differences between sources

issues: Authentic corrections of GE